Open to Members only or Guests accompanied by MembersLectures start at 10.45am    Coffee is served from 9.45-10.30am      Venue

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Friday 22 March 2019 – The Seine Estuary Capturing the 19th Century Imagination

Lecturer: Carole Petipher

The ever changing sky and sparkling Seine estuary where sky, sea and earth seem to fuse, attracted the 19th artists, writers and musicians. Through the guidance of the “Master of the Skies” Eugène Boudin, Monet took his first ever painting lesson in the open air here. A new way of approaching art was opened up resulting in Impressionism. This lecture will look at the host of artists who flocked to the picturesque harbour of Honfleur and its surroundings to capture, in Baudelaire’s words, “this green and rose vastness which goes to my head like an intoxicating drink”.

Friday 26 April 2019 – Victoria and Albert, Art and Love

Lecturer: Barbara Askew

This lecture celebrates the 200th Anniversary of the births of Queen Victoria and Prince Albert who were first cousins and born just three months apart in 1819.  Their shared enthusiasm for art and music endured throughout the twenty-two years of their marriage and they demonstrated their love through the works of art and jewellery they gave each other for birthdays, Christmases and anniversaries. Victoria and Albert understood and appreciated sculpture more than any of their predecessors since Charles I. They furnished and extended Buckingham Palace, made significant changes to Windsor Castle and commissioned three other royal residences, Balmoral, Sandringham and Osborne – the single most important example of their shared taste. Theirs was a partnership of patronage by a monarch and her consort which is unique in the history of the British monarchy.

Friday 24 May 2019 – The Botanic Gardens of London Before Kew

Lecturer: Mark Spencer

The 17th & 18th centuries saw the introduction of thousands of plant species from across the world into northern Europe. Many of these plants are now staples of our gardens: magnolias, lilies, pelargoniums & Michaelmas-daises to name a few. Long before Kew Gardens was established, these plants found new homes in the, then great, gardens of London and its environs; places such as, the long-lost garden at Westminster, Hampton Court under the care of George London, Fulham Palace home to Bishop Compton or the two great gardens of Chelsea, one of which survives – the Chelsea Physic Garden.

Friday 28 June 2019 – Making a Stand – Sporting Architecture, List it or Lose it?

Lecturer: Simon Inglis

There are currently over 316,000 listed buildings in England, and thousands more in Scotland and Wales. But only a tiny proportion of those are related to sports or recreation. After 35 years of research in the field, Simon Inglis introduces us to some of the most interesting examples, from a 15th century tennis court in Scotland to a 1970s skatepark in Essex. Why are these buildings – among them grandstands, pavilions, squash courts and scoreboards – so important? What do they tell us about our sporting heritage and social history? And why has it taken so long for recreational buildings to achieve the same level of protection afforded to buildings in other sectors? Wherever possible Simon will feature local examples in his lecture.

Friday 26 July 2019 – The Queen of Instruments: The Lute Within Old Master Paintings

Lecturer: Adam Busiakiewicz

The lute holds a special place in the history of art: painters of the Italian Renaissance depicted golden-haired angels plucking its delicate strings, evoking celestial harmony; in the sixteenth century, during the rise of humanism, the lute was a becoming pastime of educated courtiers, as depicted by the likes of Holbein and Titian; throughout the seventeenth century, the instrument continued to play a key role in emphasising the intimate, debauched and transient pleasures of interior scenes by Jan Steen and portraits by Frans Hals. This lecture looks at the lute, and other musical instruments, as devices to express various aspects of the human character throughout the ages.

Friday 27 September 2019 – Secret Art in the Passport – how we use it to fox the forger

Lecturer: Martin Lloyd

From the wax seal to the microchip, man has exploited the skill of the artist and artisan in his attempt to manufacture a forgery-proof document. Taking you through three centuries of passport design, this lecture explains the overt and uncovers the covert to illustrate the defences built in to the passport and the tricks the forger uses to defeat them. You will never see your passport in the same light again!

Friday 25 October 2019 – The Painted Church: Medieval wall paintings in English cathedrals and churches

Lecturer: Michael Rosewell

Before the Reformation the walls of cathedrals and churches were lavishly painted with decorative patterns and figurative imagery depicting biblical stories, the miracles of Saints, Last Judgement themes, and a range of other subjects including Christian pieties and Warnings against sins and transgressions. This richly illustrated lecture explains the history of these paintings and their meaning, the subjects they showed, how they were painted and by whom. Style, inspirations, techniques and pigments are among the aspects discussed. It concludes with a description of modern conservation methods.

Friday 22 November 2019 – Edouard Manet and Music

Lecturer: Lois Oliver

Music was a constant theme in Manet’s life and art. His wife Suzanne Leenhoff was a gifted pianist, and regular musical soirées were held at the Manet family home. His pictures of musicians and their audiences range from major early canvases depicting itinerant gypsy musicians and Spanish dancers, through to paintings encompassing the full range of Parisian musical culture, from private performances to street entertainment, café concerts and the Paris Opera. Bringing together Manet’s art and the music that inspired him (including Spanish flamenco, Haydn string quartets, Wagner piano reductions, café songs, and opera highlights) this lecture immerses you in Manet’s world.

Friday 24 January 2020 – Salvador Dali: 20th Century Renaissance Artist

Lecturer: Julia Musgrave

‘The secret of my influence has always been that it remained secret’ – Salvador Dalí’

Like the Renaissance artists he admired, Salvador Dalí did not restrict his creative output to painting but was also a writer, poet, engraver, sculptor, architect, photographer, theatre designer, and jewellery designer. As well as designing the latter, Dalí selected the materials to be used, focusing not just on the colours or the value of the material, but also on their symbolic meanings. Jewels such as ‘El cor reial’ (1953, The Royal Heart) have become iconic works and are considered to be as exceptional as his paintings. He also was an omnivorous reader who was as interested in science as he was in art and in this his work also reflects the Renaissance artist he admired. This lecture explores the work of Dalí the designer and science enthusiast – a Renaissance artist in the 20th century.

Friday 28 February 2020 – Sacred of Ancient China

Lecturer: Jon Cannon

Join me to tour the religious art and architecture of China. We will see examples of work of the great faiths that dominated the history of that great civilisation, including the ancient, indigenous Confucian and Taoist traditions; the image-rich Mahayana version of Buddhism that has been hugely influential in the country for two thousand years; and the distinctive Chinese responses to Christianity and Islam.

At the heart of this rich, and often precociously humanistic culture lay a series of concerns of truly ancient origin: the maintenance of harmonious relations between men and Heaven; respect for one’s family, including the spirits of one’s ancestors; and the role of the Emperor as the fulcrum of life in the ‘central Kingdom’, a role as much spiritual as secular.

During the lecture we will visit mountain-tops decorated with Confucian calligraphy; some of the oldest wooden buildings in the world — the Buddhist temples of Wutaishan, built in the eighth century and with their decoration and sculpture intact — and Mandarin’s gardens, their design infused with symbolism from Taoist, Buddhist and Confucian traditions. These between them comprised the ‘three teachings’ (San Jiao) encouraged by the imperial Chinese state.

Even today, Beijing’s layout is recognisably that of a sacred city designed around the palace and sacrificial altars associated with the imperial cult: we will see what remains of these, and ponder the role of religion in China’s modern, secular and rapidly developing state. By the end of the hour, you will have a clear and vivid idea of the enormous significance of religion for the Chinese arts.

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