Previous Lectures

Lecturer: Christopher Rogers

A historic review of the spectacular architecture of Oxford and its university. Oxford probably contains the finest surviving townscape in Europe. The lecture begins with a review of the work of Cardinal Wolsey at Christchurch before laying emphasis on the creation of the great Baroque buildings of The Queen’s College, Christchurch, Trinity and Worcester. The latter part of the lecture explores the role of the 19th century architects, especially Pugin and Scott, and finishes with the building of Keble and the Oxford Museum; two of the most important buildings of the Gothic Revival.

Lecturer: Sandy Burnett

Starting in 1607 with Monteverdi’s astonishing opera Orfeo, and ending in 1759 with the death of that great “English” composer George Frideric Handel, the Baroque era produced music of great brilliance and emotional depth. In helping to navigate us through its choppy waters, Sandy draws on his experience as broadcaster, conductor and hands-on practical musician. His in-depth exploration of this fascinating period of Classical music draws on hand-picked images, autograph scores and recorded musical illustrations, with a special focus on the work of Johann Sebastian Bach.

Lecturer: Denis Moriarty

Wilfred Owen is at the heart of the most famous and familiar poetry to emerge from the trauma of the First World War. This lecture sets his poems in the context of his fellow-soldiers, Brooke, Sassoon, A.A. Milne and others, and is illustrated by war artists such as Orpen, Nevinson and Sargent, photographs from the battlefields, the music of Elgar, Butterworth, Ivor Gurney and Benjamin Britten, and the songs of the soldiers from the trenches.

Lecturer: Ian Keable

Amongst his other skills Charles Dickens was an accomplished conjurer, calling himself The Unparalleled Necromancer.We know this from a playbill that Dickens wrote for a show he did on the Isle of Wight.Playbills were the principal means of advertising entertainment in the 19th century, capturing the public’s imagination with their exaggerated wording. In this talk Dickens’s own playbill is brought to life by reference to their historical development through various amusing animal acts, contemporary conjurors that directly influenced him and some demonstrations of legerdemain which the great man himself actually performed. And all presented by professional magician and author of Charles Dickens Magician: Conjuring in Life, Letters & Literature.

Lecturer: Rupert Willoughby

One of the most derided towns in England, renowned for its dullness, Basingstoke is distinguished only by its numerous roundabouts and absurd Modernist architecture. Rupert explains that the post-war planners, who inflicted such features as ‘the Great Wall of Basingstoke’ on the town, were politically-motivated and bent on destroying all traces of its past. He reveals the nobler Basingstoke that is buried beneath the concrete, and the few historic gems that have survived the holocaust. Hilariously told, it is a story that neatly illustrates the ugliest episode in England’s architectural history. As Betjeman wrote prophetically, “What goes for Basingstoke goes for most English towns”.

Lecturer: Alexandra Epps

Experience the story of gold and its significance and symbolism within the history of art – as the colour of the sun; the colour of divinity; the colour of status and the colour of love. From creations ancient and contemporary, sacred and profane – all that glitters is certainly gold…

Lecturer: Carole Petipher

The ever changing sky and sparkling Seine estuary where sky, sea and earth seem to fuse, attracted the 19th artists, writers and musicians. Through the guidance of the “Master of the Skies” Eugène Boudin, Monet took his first ever painting lesson in the open air here. A new way of approaching art was opened up resulting in Impressionism. This lecture will look at the host of artists who flocked to the picturesque harbour of Honfleur and its surroundings to capture, in Baudelaire’s words, “this green and rose vastness which goes to my head like an intoxicating drink”.

Lecturer: Barbara Askew

This lecture celebrates the 200th Anniversary of the births of Queen Victoria and Prince Albert who were first cousins and born just three months apart in 1819.  Their shared enthusiasm for art and music endured throughout the twenty-two years of their marriage and they demonstrated their love through the works of art and jewellery they gave each other for birthdays, Christmases and anniversaries. Victoria and Albert understood and appreciated sculpture more than any of their predecessors since Charles I. They furnished and extended Buckingham Palace, made significant changes to Windsor Castle and commissioned three other royal residences, Balmoral, Sandringham and Osborne – the single most important example of their shared taste. Theirs was a partnership of patronage by a monarch and her consort which is unique in the history of the British monarchy.

Lecturer: Mark Spencer

The 17th & 18th centuries saw the introduction of thousands of plant species from across the world into northern Europe. Many of these plants are now staples of our gardens: magnolias, lilies, pelargoniums & Michaelmas-daises to name a few. Long before Kew Gardens was established, these plants found new homes in the, then great, gardens of London and its environs; places such as, the long-lost garden at Westminster, Hampton Court under the care of George London, Fulham Palace home to Bishop Compton or the two great gardens of Chelsea, one of which survives – the Chelsea Physic Garden.

Lecturer: Simon Inglis

There are currently over 316,000 listed buildings in England, and thousands more in Scotland and Wales. But only a tiny proportion of those are related to sports or recreation. After 35 years of research in the field, Simon Inglis introduces us to some of the most interesting examples, from a 15th century tennis court in Scotland to a 1970s skatepark in Essex. Why are these buildings – among them grandstands, pavilions, squash courts and scoreboards – so important? What do they tell us about our sporting heritage and social history? And why has it taken so long for recreational buildings to achieve the same level of protection afforded to buildings in other sectors? Wherever possible Simon will feature local examples in his lecture.

Lecturer: Adam Busiakiewicz

The lute holds a special place in the history of art: painters of the Italian Renaissance depicted golden-haired angels plucking its delicate strings, evoking celestial harmony; in the sixteenth century, during the rise of humanism, the lute was a becoming pastime of educated courtiers, as depicted by the likes of Holbein and Titian; throughout the seventeenth century, the instrument continued to play a key role in emphasising the intimate, debauched and transient pleasures of interior scenes by Jan Steen and portraits by Frans Hals. This lecture looks at the lute, and other musical instruments, as devices to express various aspects of the human character throughout the ages.

Lecturer: Martin Lloyd

From the wax seal to the microchip, man has exploited the skill of the artist and artisan in his attempt to manufacture a forgery-proof document. Taking you through three centuries of passport design, this lecture explains the overt and uncovers the covert to illustrate the defences built in to the passport and the tricks the forger uses to defeat them. You will never see your passport in the same light again!

Lecturer: Roger Rosewell

Before the Reformation the walls of cathedrals and churches were lavishly painted with decorative patterns and figurative imagery depicting biblical stories, the miracles of Saints, Last Judgement themes, and a range of other subjects including Christian pieties and Warnings against sins and transgressions. This richly illustrated lecture explains the history of these paintings and their meaning, the subjects they showed, how they were painted and by whom. Style, inspirations, techniques and pigments are among the aspects discussed. It concludes with a description of modern conservation methods.

Lecturer: Lois Oliver

Music was a constant theme in Manet’s life and art. His wife Suzanne Leenhoff was a gifted pianist, and regular musical soirées were held at the Manet family home. His pictures of musicians and their audiences range from major early canvases depicting itinerant gypsy musicians and Spanish dancers, through to paintings encompassing the full range of Parisian musical culture, from private performances to street entertainment, café concerts and the Paris Opera. Bringing together Manet’s art and the music that inspired him (including Spanish flamenco, Haydn string quartets, Wagner piano reductions, café songs, and opera highlights) this lecture immerses you in Manet’s world.

Lecturer: Julia Musgrave

‘The secret of my influence has always been that it remained secret’ – Salvador Dalí’

Like the Renaissance artists he admired, Salvador Dalí did not restrict his creative output to painting but was also a writer, poet, engraver, sculptor, architect, photographer, theatre designer, and jewellery designer. As well as designing the latter, Dalí selected the materials to be used, focusing not just on the colours or the value of the material, but also on their symbolic meanings. Jewels such as ‘El cor reial’ (1953, The Royal Heart) have become iconic works and are considered to be as exceptional as his paintings. He also was an omnivorous reader who was as interested in science as he was in art and in this his work also reflects the Renaissance artist he admired. This lecture explores the work of Dalí the designer and science enthusiast – a Renaissance artist in the 20th century.

Lecturer: Sandy Burnett

To mark the 250th anniversary of the birth of Ludwig van Beethoven, born in December 1770, Sandy guides us through the life and work of this brilliant, cantankerous, visionary and astonishingly original composer, a man who tore up the rule book of classical music. Visual illustrations include a selection of contemporary portraits, while musical examples are drawn from his genre-busting piano sonatas, quartets and symphonies, and from the revolutionary opera Fidelio. We’re talking about much more than just a musician here – Beethoven was a true Romantic artist, or as he preferred to describe himself, a “poet in sound.”

Lecturer: Mary Yule

A light-hearted but critical review of public sculpture today. Since antiquity, sculpture has transformed public spaces, celebrating and commemorating people and events and, at best, reflecting the spirit of the age. Contemporary public sculpture is more diverse and often aims to meet political, social or corporate agendas, yet at best, it can provide an enlivening and sometimes controversial focus for our public spaces. The lecture discusses many successful examples of public sculpture today, like the Angel of the North, Richard Serra’s Fulcrum at Broadgate and the series of commissions for the fourth plinth in Trafalgar Square, plus some that are less successful. It also looks to the future and to works not yet realised, like the White Horse at Ebbsfleet – and much more besides.

Lecturer: Susan Owens

What is silverpoint drawing? How can you tell the difference between a quill and a reed pen? This lecture looks in detail at the materials and techniques used by some of the greatest masters, including Leonardo and Raphael. It also explores innovative contemporary drawings made by laser-cutting, pricking, rubbing and tearing.

Lecturer: Timothy Wilcox

The Bayeux Tapestry is instantly recognisable and one of the most outstanding cultural objects to survive from the early Middle Ages. Long admired for its vivid narrative, today it is the unanswered questions that most intrigue modern audiences: was it made in England or France? Was it stitched by men or women? This sparkling lecture looks not only at its creation, but also at its more amazing afterlife.
Displayed by Napoleon to bolster French ambitions for a new cross-channel invasion; cherished by Victorian embroiderers as an icon of women’s heroic joint efforts; hunted down by Hitler, who was outwitted by bureaucratic obfuscation.
A fluent French speaker, Timothy Wilcox brings a lifetime’s interest in Anglo-French relations to bear on a famous object set to become even more celebrated as it enters its next, surprising chapter.

Lecturer: James Grant

It is well known that both physical and psychological illness can affect the creative process. Both can act as a stimulus but illness can also act as a major modifying influence on an artist’s perception of the world and on an artist’s creative output.This lecture seeks to explore this relationship in artists such as Durer, Goya, Monet and Kahlo in an endeavour to understand better how different illnesses impacted on their genius.

Lecturer: Paula Nuttall

Raphael was one of the greatest and most influential of all painters, a superstar even in his own lifetime, who remains a byword for classic perfection. This lecture surveys his life and work, from his origins in Urbino, his early years in Florence, his meteoric rise to fame at the papal court in Rome, to his sudden death at the height of his powers, aged only 37. We look at such masterpieces as the Vatican Stanze, the Sistine Madonna, the Transfiguration and the famous Vatican tapestries, charting his astonishing artistic evolution and explaining his importance in the history of art.

Lecturer: Nigel Bates

The Nutcracker has delighted audiences at Christmas for many decades yet it was deemed a failure at its first performances. We take a close look at how this well-loved ballet now takes its rightful place on stage and how the music of Tchaikovsky along with story-telling, design and dance all come together to make the most magical escape for young and old alike. Includes several performance video clips.

Lecturer: Ian Swankie

Best known for his outlandish appearances dressed as his feminine alter ego, Claire, Grayson Perry is now a core part of the art establishment, a Turner Prize winner, Royal Academician, popular broadcaster and colourful character. He’s possibly one of the world’s best-known contemporary artists. His works of ceramics, textiles, tapestries and prints are highly sought after. Often controversial, he tackles difficult subjects in a poignant yet witty way and holds a mirror up to society. This talk will examine Grayson Perry’s work, his exciting and thought-provoking exhibitions, and the unique character inside the flamboyant frocks.

Lecturer: Justin Reay

Although Joseph Wright of Derby was highly regarded as a portraitist by his peers, he is now better known as the artist of the Industrial Revolution. His unflattering studies of the leaders of industry and trade in the Midlands and Liverpool give a fascinating insight into the character needed to make a good living in a tough era.

Lecturer: Brian MacDonald

The lecture begins in Outer Mongolia in 5th Century BC and follows the 11th Century AD migrations from Turkmenistan into the Caucasus, Persia and Afghanistan. The lecture will introduce the nomadic tribes of these countries and their woven rugs, carpets and dowry bags, which illustrate the skill of the women who produced exquisite works of woven art whilst living and travelling in primitive conditions and hostile landscapes.

Lecturer: Gavin Plumley

Gustav Klimt and his colleagues broke away from the Imperial-endorsed art institutions in Vienna in 1897 and founded the Succession. That was the same year that Gustav Mahler arrived to take charge of the Opera House in the city. This lecture asks what fundamentally links and, indeed, divides Klimt and Mahler.

Lecturer: Toby Faber

Two hundred and fifty years after Antonio Stradivari’s death, his violins and cellos remain the most highly prized instruments in the world. Loved by great musicians and capable of fetching fabulous sums when sold, their tone and beauty are legendary. Every subsequent violin-maker has tried to match them. Not one has succeeded. How can that be?
This lecture explores that central mystery by following some of Stradivari’s instruments from his workshop to the present day. It is a story that travels from the salons of Vienna to the concert halls of New York, and from the breakthroughs of Beethoven’s last quartets to the first phonographic recordings. Toby Faber’s book, “Stradivarius: Five violins, one cello and a genius”, was described in The New York Times as ‘more enthralling, earthy and illuminating than any fiction could be.’
The lecture is illustrated with pictures of violins and of key individuals and locations, as well as with some short musical recordings.

Lecturer: Julian Halsby

Misia Sert was a virtuoso pianist of Polish descent who hosted an artistic salon in Paris. She was a patron and friend of numerous artists, Toulouse–Lautrec, Pierre Bonnard, Edouard Vuillard, and Renoir who wanted to paint her nude. She knew Debussy and Ravel who dedicated several pieces to her. A close confidant and friend to Coco Chanel, Misia was at the heart of modern art and music in Paris.

Lecturer: James Butterwick

This lecture takes us through the huge surge of interest in the Russian avant-garde. Previously unknown artists became famous and much sought after by the new Russian-buying public. However, with it came an industrial scale level of faking of their pictures, often with the connivance, unwitting or otherwise, of Western and Russian experts. This lecture will examine the evidence for and against such paintings including attempts to “sneak them under the radar” through Western institutions, as well as attempts to use the Western judicial systems and fake news to help “legalise” the works.

Lecturer: Timothy Wilcox

The Bayeux Tapestry is instantly recognisable and one of the most outstanding cultural objects to survive from the early Middle Ages. Long admired for its vivid narrative, today it is the unanswered questions that most intrigue modern audiences: was it made in England or France? Was it stitched by men or women? This sparkling lecture looks not only at its creation, but also at its more amazing afterlife.
Displayed by Napoleon to bolster French ambitions for a new cross-channel invasion; cherished by Victorian embroiderers as an icon of women’s heroic joint efforts; hunted down by Hitler, who was outwitted by bureaucratic obfuscation.
A fluent French speaker, Timothy Wilcox brings a lifetime’s interest in Anglo-French relations to bear on a famous object set to become even more celebrated as it enters its next, surprising chapter.

Lecturer: Susan Owens

What is silverpoint drawing? How can you tell the difference between a quill and a reed pen? This lecture looks in detail at the materials and techniques used by some of the greatest masters, including Leonardo and Raphael. It also explores innovative contemporary drawings made by laser-cutting, pricking, rubbing and tearing.

Lecturer: Monica Bohm-Duchen

“What did it look like? They will ask in 1981, and no amount of description or demonstration will answer them.
Nor will big, formal compositions like the battle pictures which hang in palaces; and even photographs, which tell us so much, will leave out the colour and the peculiar feeling of events in these extraordinary years.
Only the artists with his heightened powers of perception can recognize which elements in a scene can be pickled for posterity in the magical essence of style” (Sir Kenneth Clark, 1942).
In marked contrast to most of the art produced under the dictatorships, most British art produced during World War Two (primarily under the auspices of the War Artists’ Advisory Committee, headed by Clark) was low-key and understated, the artists being more concerned with creating an unsensational record of the war in its more intimate aspects than with nationalist rhetoric, and with celebrating the quintessentially English qualities of stoicism and resilience. As much emphasis was therefore given to the Home Front as to the war in Europe and beyond.
This illustrated lecture will also address a less familiar area of British cultural history: namely, the wartime activities of émigré artists from Nazi-occupied Europe who sought refuge in Britain in the late 1930s.
Particular emphasis will be placed on their anti-fascist imagery and on the work they produced in the British internment camps for so-called “enemy aliens”, set up in 1940, mostly on the Isle of Man. It will also look at the work of British POWs such as Ronald Searle, who managed to produce some extraordinary images in captivity, and the British artists who were present at the liberation of the concentration camps.

Lecturer: Janusz Karczewski-Slowikowski

A look into the lives of ordinary people through their furniture. Most furniture in museums and books is representative of the wealthier social classes and so tells us little about the living conditions of the ‘humbler classes’. Vernacular, in the sense of ‘every day’ and ‘common’, furniture was seldom ‘crude’ or ‘primitive’ and often displayed as much sophistication in construction and design as more costly items. This lecture focuses on the period 1600-1800 but also looks at earlier and later items.

Lecturer: Bertie Pearce

From the beginning of time the fascination with magic and the impossible has been widespread. Egypt was the cradle of magic. Sorcerer Priests used scientific principles to create illusions for the edification of worship and to hold power over the people. Where there was power there was magic. Then there is the age-old skill of sleight of hand, which proves that ‘the hand is quicker than the eye’. Magicians were known as ‘Jongleurs’ lest they be sentenced to death for ‘witchcraft and conjuration’ under the edicts of Henry VIII.
With the emergence of the Music Hall, Magic gained a new respectability and audiences flocked in their thousands to watch the extraordinary feats of The Great Illusionists. This gave birth to legendary tricks such as pulling a rabbit from a hat and sawing a lady in half. And if magicians guarded their secrets with their lives, how was the Magic Circle formed ? – Home to 10,000 secrets.
Even Today in our super technical age of ipods and broadband, the wonder and surprise of magic are as popular as ever, not forgetting the Harry Potter craze.
‘Wonder Workers and the Art of Illusion’ is a whistle stop tour of the history of mystery from 3000 BC to the 21st century and be careful! – you might be amazed and bewitched.

Lecturer: Jon Cannon

Join me to tour the religious art and architecture of China. We will see examples of work of the great faiths that dominated the history of that great civilisation, including the ancient, indigenous Confucian and Taoist traditions; the image-rich Mahayana version of Buddhism that has been hugely influential in the country for two thousand years; and the distinctive Chinese responses to Christianity and Islam.

At the heart of this rich, and often precociously humanistic culture lay a series of concerns of truly ancient origin: the maintenance of harmonious relations between men and Heaven; respect for one’s family, including the spirits of one’s ancestors; and the role of the Emperor as the fulcrum of life in the ‘central Kingdom’, a role as much spiritual as secular.

During the lecture we will visit mountain-tops decorated with Confucian calligraphy; some of the oldest wooden buildings in the world — the Buddhist temples of Wutaishan, built in the eighth century and with their decoration and sculpture intact — and Mandarin’s gardens, their design infused with symbolism from Taoist, Buddhist and Confucian traditions. These between them comprised the ‘three teachings’ (San Jiao) encouraged by the imperial Chinese state.

Even today, Beijing’s layout is recognisably that of a sacred city designed around the palace and sacrificial altars associated with the imperial cult: we will see what remains of these, and ponder the role of religion in China’s modern, secular and rapidly developing state. By the end of the hour, you will have a clear and vivid idea of the enormous significance of religion for the Chinese arts.

Lecturer: Stephen Duffy

The extraordinary story of the nine weeks that Van Gogh and Gauguin spent together in Arles in southern France in 1888 is one of the most famous in the whole history of art. So many powerful emotions are swept up in it – friendship and rivalry, ambition, jealousy, contempt and admiration – while of course it also led to some of the most celebrated paintings of early modern art. The encounter between these two tempestuous characters, including the episode of Van Gogh cutting off his ear, forms the subject of this lecture which also places the artists’ stay in Arles in the context of their careers and within the wider history of late nineteenth-century painting.

Lecturer: Julian Richards

William Morris led a revolution against the products of the machine age. The first of our ‘passionate potters’, William de Morgan, was a friend of Morris who rediscovered the secrets of Near Eastern lustre glazes. In contrast, the eccentric and argumentative Martin Brothers created a range of elaborate salt glazed pots unparalleled in their imaginative breadth. Sir Edmund Elton, the ‘potter baronet’, made pots which combine startling glazes with exotic forms. And finally, Bernard Leach, the father of English studio pottery, not only married the arts of Japan and England but created a legacy that is still alive today.
This lecture explores the lives of these truly passionate potters and celebrates their extraordinary and beautiful creations.

Lecturer: Jennifer Toynbee-Holmes

When Diaghilev created ballet in the west in the early twentieth century, he brought extraordinary revolutionary energy from Russia. By bringing together talented artists of different disciplines; choreographers, dancers, musicians, designers and painters; Fokine, Nijinsky, Stravinsky, Prokofiev, Picasso and Coco Chanel to name but a few, Diaghilev fused the latest in art, music and dance in spectacles that dazzled and astonished audiences around the world.
The dream Diaghilev created of dance joining hands with the other creative disciplines to create a total work of art changed the course of ballet forever.
Using stills and video clips we take an exciting look at the Ballets Russes that dominated the ballet stages of the world from its explosion in Paris in 1909 until Diaghilev’s death in 1929.

Lecturer: Carole Petipher

Few dynastic families in western Europe wielded such power or wealth in the late Middle Ages as the Dukes of Burgundy. With territories stretching as far as the Low countries, theirs was a sumptuous court to rival all others. But they would prove dastardly as well as dazzling and nothing would stop them from their ultimate goal .

In this lecture Carole will follow their rise to glory and creation of their own superpower and consider the associated trappings of such a flamboyant lifestyle; such as art, fashion and gastronomy.

Lecturer: Ghislaine Howard

This lecture will be a feast for the eyes and tickle the taste buds, an inspiration for your cooking- and looking. It will feature the art, anecdotes and recipes of artists who loved their food. We will discuss Toulouse Lautrec, famous in his day for his truly fabulous meals and infamous cookbook, Renoir who introduced Paris to the pleasures of Provencal peasant cooking as well as Monet, Cézanne, Picasso and many others. We have prepared a special recipe booklet that can be posted on the internet- or bring a pen!

Lecturer: Mark Hill

From the late 1850s to the mid-1870s a new craze gripped the world. Photography had just begun to be popularised, and suddenly nearly everyone could afford a portrait of themselves to share with others. These small photographic portraits mounted on card were shot professionally in studios and handed out like business or greetings cards – just like we share ‘selfies’ on today’s social media. Across nearly two decades, over 400 million cards were estimated to have been printed and shared with friends, family, and fans. We think we invented the ‘selfie’, but we didn’t – welcome to the Victorian carte de visite.

In this highly visual and relevant lecture, we’ll look at the rise and fall of the fashion, learn how these cards were used, and find ways of dating cards from clothing and hairstyles. We’ll examine in detail the hidden meanings behind the poses, facial expressions, backgrounds, and choice of clothes to reveal the fascinating histories behind these cards that were used by everyone from royalty to the man in the street.

Lecturer: Gavin Plumley

In 1565, Pieter Bruegel the Elder was commissioned to create a series of paintings for a dining room in Antwerp. The images, charting the course of a year, changed the way we view the world through art. Landscape had previously been a decorative backdrop to dramas both sacred and profane. But in Bruegel’s hands the landscape and our interaction with it became the focus. Looking at paintings such as The Return of the Herd, Hunters in the Snow and The Gloomy Day, this lecture explores how Bruegel pioneered a whole new way of thinking about the environment and our individual places within a shifting cosmos.

Lecturer: Sandy Burnett

“A miracle which God let be born in Salzburg” is Leopold Mozart’s assessment of his enormously gifted son Wolfgang Amadeus who conquered Europe as a child prodigy and took classical music to new heights in the Vienna of the 1780s. Yet Mozart died tragically young at just 35, impoverished and underappreciated, while writing a Requiem that had been commissioned from on condition of absolute secrecy. In this illustrated talk, featuring recorded musical examples and contemporary portraits, Sandy strips away some of the myths to piece together the real Mozart and celebrate his extraordinary legacy.

Lecturer: Peter Medhurst

Despite the enormous political challenges that Vienna faced between 1780 and 1830 – including major wars against Napoleon, – the city thrived, culturally. In fact, it could be argued that Vienna never had a finer moment in terms of its artistic achievements. It was a period of outstanding writers, poets, architects and painters, but above all, it was a period of great composers such as Haydn, Mozart, Beethoven and Schubert who made Vienna the musical capital of the world. The lecture explores the history and the arts of Vienna in the late Classical and early Romantic eras.

Lecturer: Barbara Askew

“Happy and Glorious” – A Celebration of the Coronation of King Charles III on May 6^th 2023
The crowning of the sovereign is an ancient ceremony rich in religious significance, historical associations and pageantry.
This lecture looks at the evolution of the coronation ceremony from Saxon times to the present day, gives an account of fascinating incidents, ill omens and memorable mishaps that have occurred at coronations throughout the centuries and ends with a description of how the coronation of King Charles III might differ from that of Her Majesty Queen Elizabeth II in 1953.

Lecturer: Marc Allum

A first hand insight behind the nation’s most popular antiques programme by Marc Allum – specialist on the show for over 20 years.

Lecturer: Nigel Bates

From calling ancient armies to battle to signalling the audience to stand for the National Anthem, drums and percussion have been a part of history well over and above their musical contributions. Often the icing on the cake and alas sometimes the bottom of the dustbin, we explore how the design, sound and awareness of percussion instruments and the demands of modern composers have developed almost out of all recognition in the last hundred years. In addition to performance video clips, this lecture contains rare footage from the orchestra pit at the Royal Opera House.

Lecturer: Grant Ford

Grant will discuss some of the great pictures he has handled during his extensive career in the art world, from incredible masterpieces by the Pre-Raphaelites to Lord Leighton and Modern British works. Why did certain works fall out of fashion at a certain point in time, only to spring back and set new world records many decades later? He will explain changes in the market place and his experiences with sellers and buyers. This talk will be focused on the international art market, but will specifically look at some of the great British artists and their work within the global art market arena.

Lecturer: Jacky Klein

The UK’s Royal Collection contains over a million objects – paintings and works on paper, tapestries, furniture and jewels, photographs and decorative arts, carriages, weapons and armour, clocks and musical instruments, manuscripts and books. This talk reveals the dramatic histories, plots and intrigue of some of the most unexpected and spectacular objects that make up one of the world’s most important art collections. We’ll delve into the back stories of a tiara smuggled across revolutionary Europe, an Italian masterpiece accidentally rediscovered, the world’s most extravagant doll’s house, Fabergé eggs made for the Russian Imperial family, porcelain pheasants from China that once decorated Brighton’s Royal Pavilion, a royal coach containing precious fragments of the Mary Rose and Canterbury Cathedral, and a grasshopper wine cooler at the very cutting edge of modern design art.

Lecturer: Tom Duncan

Dublin in the eighteenth century was the second city of the just emerging British Empire. From Dublin, the English monarch’s Viceroys, usually English noblemen, presided over a glittering court at Dublin Castle, and stood at the apex of a society renowned for its liveliness and hospitality. This world, seen at close quarters through contemporary accounts, paintings, engravings and the evidence of the buildings themselves, many of which have miraculously survived to this day, will give an insight into an unforgettable place and age.

Lecturer: Julia Musgrave

Caravaggio’s paintings inspired many artists during his lifetime and would go on to influence many more, from Orazio Gentileschi to Peter Paul Rubens, Gerard van Honthorst and Rembrandt.

Each absorbed a different aspect of his work. His style spread across Europe and gave rise to the international movement known as ‘Caravaggism’. Yet for many, Michelangelo Merisi da Caravaggio is famed as much for his art as for his criminal record. Was it the violence of his times or his own violent spirit that inspired the dramatic lighting and intense naturalism of his work? This lecture follows the dramatic incidents of the artist’s life and looks at why and how his influence spread so far.

Lecturer: Alice Foster

The reputation of Velásquez has long eclipsed the others who painted for the Hapsburg Court. Velásquez joined the court of Philip IV, who on the one hand had inherited a collection of immense value, and on the other, had enthusiastic artistic interests himself. Velásquez had the benefit of Rubens, Titian, Poussin to study in the royal collection and he was also allowed artistic freedom in his own compositions to find a modern idiom in his work.
Goya had similar experiences in the Bourbon Court; both men accepted the traditions of the courts but also explored the ‘everyday’ and allowed ordinary experiences to filter into their subject choice. Both painters had a tremendous effect on the modern painters that followed, especially Edouard Manet in nineteenth century Paris. Manet spotted in the work of the Spanish Masters something that the critics misunderstood in his – broad handling of paint, and the celebration of ordinary people.